The young Russian soprano Alyona Rostovskaya attended the Yaroslavskiy Musical College L.V. Sobinov and studied singing at the renowned Russian Musical Academy Gnessin. She also completed training in acting and dance. In addition, the young singer attended master classes with Ramón de Andrés, Ludmila Magomedova, Krassimira Stoyanova and Christa Ludwig, among others. She received further artistic impulses from Raffaele Cortesi, Malcolm Martineau, Craig Terry and Aldredo Abbati, among others.
In 2018 she was a participant in the renowned Young Singers Project of the Salzburg Festival.
Alyona Rostovskaya gained her first stage experience as Tatyana in “Eugene Onegin” and as the “Figaro” Countess in productions of the renowned Gnessin Opera Studio. In 2017 she presented herself at the Opera Studio as Pamina in “Die Zauberflöte”, in 2018 she sang the title role of Tchaikovsky’s “Iolanta” and in 2019 she appeared here for the first time as Mimi in “La Bohème”.
In the 2020-2021 season, Alyona Rostovskaya was an ensemble member at the Volkstheater Rostock. She made her successful debut as the Female Chorus in “The Rape of Lucretia” and as the Vixen Sharp Ears in “The Cunning Little Vixen” directed by Vera Nemirova. At the 2021 Eutin Festival she took on the role of Mimì in “La Bohème”.
Since the 2021-2022 season, Alyona Rostovskaya has been an ensemble member at the Theater und Orchester Heidelberg. There she appeared as Governess in “Turn of the Screw”, and Giulietta in Bellini’s “I Capuleti e i Montecchi”. In 2022 she made her successful debut in the title role in “Rusalka”. In the 2022-2023 season she will make her debut in Heidelberg as Antonia in “Les Contes d’Hoffmann (Tales of Hoffmann)”.
In concert she has performed with Theodor Currentzis and the SWR Symphony Orchestra and the Norddeutsche Philharmonie Rostock under Marcus Bosch, among others. In addition to her opera engagements, Alyona Rostovskaya is also active as a lied and concert singer.